The Music Workshop Company Blog 

Each month the Music Workshop Company publishes two blogs. One blog, written by the MWC team addresses a key issue in Music Education or gives information about a particular genre or period of music. The other blog is written by a guest writer, highlighting good practice or key events in Music Education. We hope you enjoy reading the blogs. 
 
To contribute as a guest writer please email Maria@music-workshop.co.uk 

Posts tagged “GREAT COMPOSERS”

1920 was a busy year for Stravinsky and Diaghilev with the premiere of the ballet Le Chant du Roissignol on 2nd February and the premiere of Pulcinella on 15th May. 
 
Stravinsky first worked with Diaghilev on L’Oiseau de Feu (The Firebird) in 1910.  
 
The work is of interest both as Stravinsky’s breakthrough piece and as the beginning of one of the most well known collaborations in the ballet world. 
November 2019 marks the 300th anniversary of the birth of Leopold Mozart (November 14, 1719 – May 28, 1787).  
 
Perhaps often primarily known as the father of Wolfgang Amadeus Mozart, Leopold is an almost mythical figure, equated, perhaps partly thanks to the blockbuster film Amadeus, with a stern and conflicted father/son relationship. 
 
Another interpretation is that Leopold, who had supported his child prodigy son for many years, was concerned as Wolfgang pushed for more independence that his son was unfit to look after himself – a worry which proved to be grounded in reality. 
Clara Wieck was born in Leipzig in September 1819. Although for decades she has been predominantly known as the ‘wife of Robert Schumann,’ her contribution to music as a performer, composer and inspiration was immense. 
 
As a woman in a male-dominated world, she gives us a fascinating glimpse into creative relationships, and perhaps a sense of what other women could and did achieve, despite the familiar list of traditionally male historic composers. 
 
She is to be celebrated for her own achievements, for the support she gave to Schumann and Brahms amongst others, and for the lost voices of many other women who were unable to achieve the same level of emancipation. Notably, while Clara’s work has often been marginalised by claims that her husband was the ‘real’ composer behind her work, she earned most of the money in the Schumann household, which was extremely unusual for the time, and her pieces were more popular than his. 
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